01.22
School’s in! My two year hiatus has come to an end. And In just two weeks I have been reminded of the stimulation that is attributed to my deep love for school. The class of interest this semester is titled “Zen; Eastern Theater”. On the first day I knew I was in for a treat when my professor instructed me to keep a monologue in my back pocket for the time he calls on me at random for a performance. I love challenges, I love performing. Not as a form of attention but as a form of creative expression.
The subject of the class is two-fold as the title suggests. Zen meditation and Eastern Theater (specifically Noh Theater). Noh Theater is a form of Japanese “theater” that is a collaborative delivery of one of approximately 250 stories. It is presented through deliberate precise movements, chanting, and musical instrumentation. It is highly structured and the individualism can be said to be displayed as a collaborative effort of all the participants as opposed to a single individual. The main actor wears a mask to portray certain emotions and adjusts the angle of the mask to show the audience slightly different emotions from the same mask. It is a highly interpretive form of theatre in the sense that the audience may see a production, see it ten years later, and have two drastically different interpretations based on their life’s experiences.
The actors spend years mastering the techniques of movement. From the simple act of walking to showing complex emotion with simple gestures, it takes YEARS to master and an unbelievable amount of discipline. To me, it is a reflection of the Japanese culture.
Before the subject of Zen Meditation, a short description of my former experience with meditation. I used to occasionally mediditate traditionally. When I was in the Navy I went on a five day water fast and to help get me through it I meditated. There is no quiet on an operation ship. But on a particular session I went topside while we were sailing in the Pacific Ocean. We were hundreds of miles from any land, it was pitch black, and warm. The bow of the ship made quiet splashing sounds as it cut through the water. I found a location by the engine stacks to sit and meditate. After my usual routine of clearing my head and calming my soul I suddenly disappeared from this consciousness. My only recollection was suddenly “coming to”. I didn’t know how much time had passed – it could have been five minutes or five hours. I had absolutely no sense of how much time had passed. This was the farthest I ever got in meditating. I was later told by a Tibetan Monk that my experience was foolish and unguided. In so many words. Onward.
The other part of the class is Zen Meditation. The two subjects are obviously closely linked: the art of meditation calms the soul and spirit and helps clear the mind. These are necessary for the development of skills necessary to perform Noh Theater. Before this class I haven’t meditated in more than two years. I never had to necessarily sit down in a quiet place to meditate; I have been able to meditate while watching TV, sitting in class, driving… and from the two weeks in this class I have realized that I have always benefited from meditating in ways I never knew before. For one, we sit in a very uncomfortable position. A painful position that does permanent nerve damage (albeit nothing detrimental) to your feet. You sit with your knees facing forward and parallel to one another with your calves bent underneath them and the top of your feet facing the floor. So all of your weight is resting on your calves putting a lot of pressure on your feet. I think this is what initiated my vision/realization. It was the 4th or 5th session and I had gotten to the point where I was able to completely melt away all thoughts and settle the turbulent light and sights I saw in my minds eye.
I was able to drift away from the pain in my legs to a place in mind that can only be described as emptiness. It was in this moment that I felt my soul begin to radiate from my body upward. Imagine a translucent flame dancing in slow motion, with no jagged edges. Simply dancing above me – while attached to my body – in harmony. Then I begin to feel the presence of others and imagining the state of my classmate’s souls. Who’s mind was in a state of disarray of turbulence? I saw these souls not as radiant, and more contained, not moving as graceful but as if it was a nervous, unpredictable movement. Then for a moment I saw my soul and the soul of another branch out and dance together gracefully, momentarily. The pain in my legs was gone. It gave me a feeling of universal consciousness.
It was after this that I connected my meditating to the recent health and happiness of my psyche and soul. My sensei has repeated on many occasions to let all the negative thoughts drift away. Things are never as bad as they seem. And he is right. We become accustomed to going through the day filling our heads with negative thoughts. This is a drain on your mind and your soul. Over the course of two years – without realization – I had fallen into this behavior. Which is so unlike me. I can make connections to what has attributed to this state, but the point is, it took 3-4 meditation sessions to reverse all of this. I feel so grateful that something so available and simple has done so much in terms of the health of my mind and soul. With the guidance of one very enlightened man I have in a very short time turned around the way my mind approaches problems/situations/events. I can only hope that it will not be forgotten very easily and that I continue to grow for the remainder of the class.
As for the pain – it is something I have come to appreciate. Pain is humbling and it helps put things in perspective. Similar to a fast. The sacrifice you make for yourself and if you believe in one – your God/higher power – is something to be proud of. To endure and overcome. It’s a lesson in endurance that can be applied to almost every facet of your life.
Legend loved this girl the moment he laid eyes on her. She had beautiful eyes, the piercing type that would allow a peek into her soul. He was most attracted to the calm reserve that revealed a passionate storm immediately under the surface. Her radiant, calm smile, alluring body, and unique feeling of attraction made it hard to put her out of his mind. Legend was slightly consumed by what he felt to be the initial spark of love, before ever speaking a word to her. The simple exchange of eye contact created a feeling of desire that went beyond physical. A feeling that transcended spiritual.








